That Drifting Poo Was Far Too Symbolic! These Are the Television Disappointments of the Year.

As we reflect on the television offerings of the recent year, a handful of series emerge not for their brilliance, but for their spectacular shortcomings. From cringe-inducing spin-offs to bafflingly poor documentaries, here are the productions that had us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this love/hate follow-up? Plagued with woeful scripts, painful arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to find its footing. Briefly, as the final series started, it seemed as if it had finally hit its stride. Then arrived an episode centered on Seema’s natural deodorant. No wonder the creator announced this would be the last season. It concluded on a bum note; the closeup of Miranda’s toilet full of poo was simply too on-the-nose. Yet, viewers certainly had a hoot dissecting every single “what on earth?” moment. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who didn’t release a small sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the smallest of this show's problems. The recipient of a very rare zero star review, it was hard to know where to start listing the problems. The hilariously leaden dialogue? The tedious veneration of affluence and consumption? The almost wilful procession of tropes? Acting so bad they felt almost malicious? Let’s just say “all of the above” and never speak of this show again. However, a new season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Given the restraining orders, abuse allegations and parental failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d truly have gleaned it from this three-part documentary which smirked its way at Sheen’s various episodes of reckless hedonism while struggling to tell us a single thing we didn’t already know. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this show might evoke should be saved for the people who have had to endure proximity with this charismatic but dismissive egotist.

The Supercomputer Drama

Of course we knew it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of pure admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

MobLand

Shady characters meeting in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the ignominy of having to accommodate baffling dialects. But there were plenty of other issues. Mainly that it was just really boring; a dispute over drug-selling territory between various cockney rogues which felt rather simplistic.

The Meghan Markle Series

Given the extent to which she provokes the ire of certain performatively angry commentators, it’s almost easy to admire the Duchess of Sussex’s various ventures into twee lifestyle as intentional provocations. But then you watch them and are compelled to concede that in this case, they may have a point. It’s like watching a homeware catalogue come to life; a poster for evening drinks with delusions of grandeur; a procession of snoozing dogs, humming beehives, Hallmark platitudes and pointless crafting “tips” you’ll not remember instantly. All supported by immense, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be said about both Victoria Beckham and her journey with vocation, identity, self-acceptance. But for some reason, this documentary series chose not to explore them. Rather, the viewing was like reading a sales catalogue. She obviously has every right to bridle at what she describes as her “stern” image. But unfortunately, she didn’t do herself any favours with this cagey letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too complicated to detail what precisely was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up reeking of a programme that was trying way too hard to emulate something way beyond it.

The Lena Dunham Romcom

How do you follow a show that defined a generation? The pressure was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, ironically, was insufficient. Plus, the sheer amount of famous friends involved felt icky.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the shrewd inclusion of talented younger comics, hopes were high. But unhappily, most of it fell flat. A recurring sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, in contrast, simply provoked the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated with care. Rather, the series struggled painfully to find the right voice, lumbering from strangely breezy, slightly mannered farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Very much so.

Prime Target

We love the lead actor … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the verge of a breakthrough that could destabilise society? No! This international thriller about secret services targeting – and eliminating – intellectuals honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the content creator renowned for sexual escapades as she prepared for her most extreme feat yet. What on earth would motivate her? What we craved was far greater interrogation of her actual psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to haul her son out of the queue. What we got was horrific imagery and absolutely no interrogation of her notoriety whatsoever. And to think, the documentary-maker has a young daughter too.

Krista Harris
Krista Harris

A Scottish travel writer and cultural enthusiast with over a decade of experience exploring and documenting Scotland's hidden gems.